Indiana’s Bill Wilson drove to Nashville and knocked on producer Bob Johnston’s kitchen door in 1973. Johnston had recently produced albums by Johnny Cash, Bob Dylan and Leonard Cohen. Bob let him in to play a few songs, liked it, and rounded up his crew that played on Dylan’s “Blonde on Blonde”. They recorded ‘Ever Changing Minstrel’ that night, and it was released on Columbia Records in 1973. The album is now reissued with rare photographs, notes by reissue producer and Tompkins Square label owner Josh Rosenthal, and remastered from the original tapes.
Archive for September, 2012
Tompkins Square label is proud to release six albums compiled by musicologist Ian Nagoski for his Canary label. These titles have appeared as limited edition pressings, and are out of print. However, the albums can now be purchased around the world via the digital service of your choice; Spotify, Amazon, iTunes, Boomkat, Other Music and many others.
v/a – Brass Pins & Pearls: International 78s
A collection of radiant music from around the world compiled from 78rpm discs from the first half of the 20th century. Originally released at two LPs (A String of Pearls in late 2009 and Brass Pins & Match Heads in early 2011), each LP reacted directly to the early deaths of musician-friends of compiler Ian Nagoski and asked, “What is the value of the life of one musician?” The complexly interwoven performances are visceral and lifelike outpourings of strong emotions and outrageous feats of virtuosity. Musicians, famous and unknown alike from staggeringly varied backgrounds, together give the impression of the goodness, wonder and mystery of music itself. These 25 tracks span nearly as many cultures and languages but flow seamlessly as one human voice.
Marika Papagika – The Further the Flame, the Worse it Burns Me: Greek Folk Music in New York City, 1919-28
The Greek singer Marika Papagika was one of the best-selling immigrant performers in the US of the 1920s. Her records were often deeply emotive, full of dignity and grace, ambition, heart-rending sorrow and resignation, and nostalgic patriotism for the world she left behind. This album of eleven songs (drawn from the 250 performances s he left behind from her career in America) from deep in 19th century Greek folklore and pan-Ottoman Eastern Mediterranean experience showcase her extraordinary voice, accompanied by some of the best musicians of the New York Greek scene.
Khansahib Ustad Abdul Karim Khan – 1934-1935
Even now, 75 years since his death in 1937, Abdul Karim Khan remains the most revered and admired Hindustani singer of the early 20th century. His influence and legacy continue to pervade Indian music. His voice, elastic, mercurial, and almost impossibly sweet, and his unique style, broadly nationalist the time of the rise of the Independence movement and popularly alluring while still expanding on the refinement and technique of the centuries-old court music from which he had come, was best-preserved at recording session in Bombay in the mid-30s, from which these ten exquisite performances were drawn.
v/a – What Remains of Eden: Anatolian & Levantine Musics, 1928-1952
Coincident with the birth of the modern Middle East in the 1920s-50s was a flurry of recording activity in Cairo, Istanbul, and among the diaspora of the Eastern Mediterranean in the United States. These 15 tracks originate from Istanbul through the heart of Anatolia to Syria, Lebanon, and Egypt, spanning the classical to the folk, from cafes to courts, from the joyous to the plaintive, and many distinct ethnicities (Arab, Armenian, Assyrian, Greek, Kurdish, Maronite, Roma, and Turkish), celebrities and unknowns alike, each with a unique, palpable focus and intensity, each with a powerful story to tell.
v/a – Bed of Pain: Rembetika 1931-1955
The deep, dark hybrid music born in the urban slums of Greece, rembetika is often referred to as “the Greek blues,” for its heroic, blunt truth-telling in the face of suffering. This collection of heavy songs from the style’s “golden era” in the years surrounding WWII includes many of the “heavy-hitters,” great and revered singers and composers, but also includes many obscure artists, including several from the influential American diaspora. For fans of the style, if offers brilliant lesser-known pieces and for the uninitiated, it cuts to the heart of rembetika’s no-bullshit swagger, grief, and fierce beauty.
v/a – To What Strange Place : The Music Of The Ottoman-American Diaspora, 1916-1929
Before the Golden Age of Americana on Record, immigrants from the dissolving Ottoman Empire were singing their joys and sorrows to disc in New York City. The virtuosic musicians from Anatolia, the Eastern Mediterranean, and the Levant living in the U.S. who recorded between WWI and the Depression are presented here across two discs, along with a third disc of masterpieces they imported as memories on shellac-and-stone. The intermingled lives and musics of Christians, Jews, and Muslims represent Middle Eastern culture as it existed within the U.S. a century ago. A fascinating, new view of American Folk Music. Compiled by IAN NAGOSKI. Designed by Susan Archie.