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Ireland’s Brigid Mae Power : The Two Worlds

Friday, January 19th, 2018

Ireland’s Brigid Mae Power returns with a new album, ‘The Two Worlds’. The album will be released worldwide in all formats February 9th, 2018 on San Francisco’s Tompkins Square label.

PRE-ORDER LP/CD

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Power’s self-titled debut, released on Tompkins Square in 2016, received wide praise from UNCUT (9/10, “Masterpiece”), MOJO (4 stars), The Guardian (4 stars), Irish Times (4 stars) and was featured on NPR World Cafe, as well as several BBC programs.

‘The Two Worlds’ was produced by Peter Broderick and recorded at Analogue Catalogue in County Down, Ireland. Q Magazine listed the album as a “Top Tip” for 2018, stating “(The Two Worlds) is full of droning ballads laced with defiance.”

The sadly topical first single, “Don’t Shut Me Up (Politely)”, seems to express what’s on the minds of many women right now. Tompkins Square’s Josh Rosenthal noted on social media, “I don’t usually have the opportunity to say something political about the music I put out, but in the case of Brigid Mae Power’s new single, I think this song may resonate with any woman who’s been gaslit, mansplained to, paid less, bullied, sexually harassed by a C-List celebrity or famous movie producer, had her birth control systematically taken away, or told she had to go to another country or across state lines to get an abortion.”

In her own words :

Most of these songs were written in the last year in Ireland and they’re all about the different feelings I had at the time. Last year I moved back to Galway, Ireland where I mostly grew up and I was feeling and noticing again the repressive and oppressive environment. So I revisited a song I had half written a few years previous called ‘Don’t Shut Me Up (Politely)’ and I found that moving home, I had the ammunition to finish it. I had actually tried to record this song in Portland, Oregon the previous year but at the time it just did not work. It was the wrong atmosphere, it was summer and a sunny day and just was not repressive enough in the way that it can be here! So I didn’t really feel real singing it as I didn’t feel held back at all! It felt like singing to a brick wall and it wasn’t going anywhere… So when I moved back I had the idea to go up to an analogue studio in the North of Ireland and specifically record that song there, so we booked in some time at the studio and I hurried to finish some other scraps of songs I had lying around with the idea of recording them live and just seeing what happened.

I had been thinking about my Grandmother a lot, so there are a couple of songs about her.. I’d been thinking about lost friendships. I’d been thinking about how to balance being settled and also being up in the clouds. I’d been thinking a lot about cutting out the crap and letting go of things that don’t serve you, so I feel like these songs are pretty direct. I wanted them to sound direct too and the studio Analogue Catalogue was the perfect place and had a great sound and live room…. When we went up there the second time to record the other batch of songs, it was a very busy time in our life and I hadn’t finished writing the lyrics to a lot of them. Not as a choice – I just literally didn’t have time. So when we got there I thought I would just try them out anyway and as a natural procrastinator I was much happier with the sound of the result of being pushed to the last minute. Peter added in different instruments really naturally and then mixed and mastered the record. ‘I’m Grateful’ was written in Oregon and for me I can tell that it wasn’t written in Ireland. The rest of the album feels quite like what my environment looks like here at the moment out of my window.

Tour dates, with more to come, including a US tour this summer :

23rd March – Manchester – The Eagle Inn
25th March – Woodbridge – Asylum Studios
28th March – Bristol – The Lantern
29th March – Dublin – Bello Bar

Brigid Mae Power – The Two Worlds – Available February 9th, 2018
CD – TSQ 5487 / LP – TSQ 5494

Tompkins Square is distributed by INgrooves and Revolver in NA, Cargo for Europe

Sonny Clark – The 1960 Time Sessions

Thursday, November 2nd, 2017

** Tompkins Square is offering the last of this special edition Record Store Day-only 2LP set to our mail order customers for a limited time. The set is $28 in the US / $50 x-US. Includes shipping **

To order, simply send that amount via paypal using this LINK and include your shipping address.

Praise for Sonny Clark Trio : The 1960 Time Sessions :

“Top Ten Jazz Reissue of the Year”
– NPR Jazz Critics Poll

“Here he states his own themes and commands his own space, letting the light of his major harmonies vie with the darkness of his blues.”
– The New York Times, 12/1/17

“The remastering has given the sound an intimate new presence.”
– Downbeat – 4.5 / 5 stars

“Tompkins Square has certainly done right by Clark’s legacy, with new liner notes and a high quality pressing.” – Clifford Allen (NYC Jazz Record)

“Top Five Jazz Reissue of the Year”
– NYC Jazz Record

“You’ll like the sound . . . Easily and highly recommended !”
– Michael Fremer, Analog Planet

“Now you can hear the real thing again, hipper than ever.”
– PopMatters (8/10)

“This is the way jazz re-releases should be done.”
– All About Jazz

Tompkins Square is proud to announce the release of ‘Sonny Clark Trio : The 1960 Time Sessions’. The limited edition 2LP vinyl set will be available exclusively via participating independent record stores as part of Record Store Day on Black Friday, November 24th, 2017.

Sonny Clark’s reputation as one of the finest jazz pianists of his era has grown in recent years, with many folks rediscovering his classic Blue Note recordings like ‘Cool Struttin’, ‘Dial ‘S’ for Sonny’, ‘Leapin’ and Lopin’, as well as session work with Lee Morgan, Grant Green and others. Cut down by heroin addiction at age 31 in 1961, Clark’s legacy continues to expand.

The Time sessions were produced by the late Bob Shad, owner of Time and Mainstream Records. The reissue includes the original Time album re-mastered from the original tapes by Dave Donnelly, plus an extra disc of alternate takes previously unavailable on vinyl. Nat Hentoff wrote the original liner notes, included in the reissue package, and former New York Times critic Ben Ratliff contributes a new 3500-word essay. The set was produced for reissue by Mia Apatow (Time Records) and Josh Rosenthal (Tompkins Square).

Nate Chinen and WBGO New York have exclusively premiered the set, which you can check out HERE.

More about Mainstream and Bob Shad via Variety.

Sonny Clark Trio : The 1960 Time Sessions (TSQ 5449)
Tompkins Square is distributed by INgrooves and Revolver in North America, and Cargo UK for Europe

Brigid Mae Power – “Don’t Shut Me Up (Politely)”

Tuesday, October 24th, 2017

The new single by Irish singer/songwriter Brigid Mae Power is now available on every digital platform worldwide. Her new album, The Two Worlds, will be released on Tompkins Square in early 2018.

SoundCloud

RARE Private Press LPs, Reissued

Tuesday, September 12th, 2017

Rare LPs from the 70’s and 80’s by guitarists Rick Deitrick, Tom Armstrong and Larry Conklin/Jochen Blum are now available here on the site. Praised by Aquarium Drunkard, MOJO, PopMatters, Folk Radio UK and many more, these LPs are part of an ongoing series of reissues by artists featured on Tompkins Square’s Imaginational Anthem vol 8 : The Private Press 2LP set.

Will Beeley – TX Songwriter Reissues Two 70’s LPs

Thursday, June 15th, 2017

Tompkins Square has reissued two albums by Texas singer/songwriter Will Beeley – the self-released mega-rare (only 200 copies) private press LP Gallivantin’ from 1971, and Passing Dream, originally released by Malaco Records in 1979.

Recorded in San Antonio, Gallivantin’ shows Beeley’s heartfelt, folky side – a wistful set of original tunes, plus a cover of Bob Dylan’s “You Ain’t Goin’ Nowhere” and a spaced-out, 10 minute+ Eastern-influenced psych take on Buffy Sainte-Marie’s “Little Wheel Spin And Spin / Co’Dine”.

Recorded in Jackson, Mississippi, Passing Dream reveals the shifting musical direction of opposite sides of the 70’s – a tougher, huskier, more alt-country sound emerging, presaging modern day troubadours like Chris Stapleton and Jamey Johnson. Released by Malaco Records in 1979, the album features the very first studio credit by guitarist Larry Campbell (Bob Dylan, Levon Helm), along with drummer James Stroud (Marshall Tucker Band, Eddie Rabbitt), keyboardist Carson Whitsett (Paul Simon, Tony Joe White) and other crack studio players.

Now a truck driver living in New Mexico, Will Beeley recently recorded his first new album since 1979’s Passing Dream. Produced by Jerry David DeCicca of The Black Swans (who also produced Larry Jon Wilson’s final album), the new one features Michael Guerra (The Mavericks), and is mixed by Stuart Sikes (Loretta Lynn’s Van Lear Rose, Cat Power’s The Greatest). The album is slated for release on Tompkins Square sometime in 2018.

Hear a song

The Music of Harry Taussig & Max Ochs – out May 26 !! Pre-Order Ltd Ed LP now.

Tuesday, May 9th, 2017

Meredith Monk / Record Store Day

Wednesday, April 12th, 2017

Limited edition LP available exclusively at independent record stores on Record Store Day, April 22.

San Francisco’s Tompkins Square label is proud to announce the reissue of Meredith Monk’s 1971 debut LP, Key.

Composer, singer, director/choreographer, creator of new opera, musical theater works, films and installations, Meredith Monk is one of the most unique and influential artists of our time. Awarded a National Medal of Arts by President Obama in 2015, Monk has blazed her own influential trail through music and movement over the past 50 years. Pitchfork noted in a recent review of her latest ECM release, ‘On Behalf of Nature’: “Meredith Monk’s influence as a singer and composer extends through Björk, Joanna Newsom and beyond.”

‘Key’ contains Monk’s earliest compositions for voice, composed and performed from 1967-1970. In her words:

“In ‘Key’ I wanted to create a constantly shifting ambience. Each song dealt with a different vocal character, landscape, technical concern or emotional quality. I was trying for a visceral, kinetic song form that had the abstract qualities of a painting or a dance. I knew that I didn’t want to set music to a text; for me, the voice itself was a language which seemed to speak more eloquently than words. I chose certain phonemes for their particular sound qualities. In a sense, each song became a world in itself with its own timbre, texture and impulse.”

The Tompkins Square reissue faithfully reproduces the original 1971 LP on Increase Records, with textured cover and original insert images and notes, exclusively released in a limited edition for Record Store Day – April 22, 2017.

LP – TSQ5371 / Tompkins Square is distributed by INgrooves and Revolver in North America, Cargo UK for Europe.

Harvey Mandel – Snake Pit – out Nov 18th

Wednesday, September 28th, 2016

LISTEN TO / SHARE A SONG

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“Mandel’s trademark sound is as supple and searing as molten steel”
- DOWNBEAT Editor’s Pick

“A storming return to the fray”
-MOJO 4 Stars

“True musical heroes are hard to find, and Snake Pit could be the album that finally gets Mandel his due as a top-shelf guitar savior”
-CHICAGO READER

Harvey Mandel is among the most innovative guitarists to emerge from the Chicago blues scene of the late 1960s. His career began at Twist City and other local hotspots, sharing stages with Muddy Waters, Howlin’ Wolf and Buddy Guy. He came up in that scene alongside Charlie Musselwhite, Mike Bloomfield, Barry Goldberg and Steve Miller, leading to an invitation from Bill Graham to open for Cream at San Francisco’s Fillmore Auditorium in August 1967.

Mandel was a member of Canned Heat, appearing with them at Woodstock. He played on numerous John Mayall albums, and on the Rolling Stones’ 1975 LP Black and Blue (“Hot Stuff”, “Memory Motel”), having auditioned for Mick Taylor’s job, which ultimately went to Ron Wood.

Known for his “tapping” technique and sinewy, sustain-driven phrasing (thus his nickname, “The Snake”), Mandel’s solo albums such as Cristo Redentor, Baby Batter and Righteous have been sampled and drooled over by guitar geeks, DJ’s, and fans of funky, soulful, otherworldly composition.

Harvey’s fifteenth studio LP and his first widely distributed album in 20 years, Snake Pit was recorded in two days at Fantasy Studios in Berkeley, CA. Harvey teamed with fellow Chicago-based musicians Ben Boye (keys), Ryan Jewell (drums), Brian Sulpizio (guitar), and Anton Hatwich (bass), who have all played with singer/songwriter Ryley Walker, among their many other musical pursuits. Harvey and the band had not met previously, nor had they rehearsed. He played snippets of song ideas for the band on his iPhone, and then they would lay down a track in one or two takes. Hard to believe when you hear the album, but that’s exactly how it went down. Minimal overdubs with strings and percussion were added, but mostly what you hear is what happened spontaneously in the studio. The album contains six new original compositions by Mandel and two revisited songs : “Baby Batter” from his 1971 Janus LP of the same name, and “Before Six” by Larry Frazier, which appears on his first album, Cristo Redentor.

Snake Pit marks a spirited return in a career that now spans six decades — all the more intense and poignant given Harvey’s recent battle with cancer.

Read more about Harvey Mandel via Aquarium Drunkard

Track list:
Snake Pit
Space Monkeys
NightinGail
Baby Batter
JackHammer
Buckaroo
Before Six
Ode to B.B.

Harvey Mandel – Guitar
Ben Boye – Keys
Anton Hatwich – Bass
Ryan Jewell – Drums
Brian J Sulpizio – Guitar
Jose Najera – Percussion
Recorded at Fantasy Studios
Real strings arranged and performed by Dick Bright
Produced by Harvey Mandel and Josh Rosenthal
Recorded & mixed by Jesse Nichols
Mastered by George Horn
Original artwork by Sara Gossett

IMAGINATIONAL ANTHEM vol. 8 : THE PRIVATE PRESS

Tuesday, August 2nd, 2016

Imaginational Anthem vol. 8 : The Private Press
Out now on Tompkins Square
2LP set (only 500 – ltd ed) / CD / Digital

8th volume of the acclaimed acoustic guitar series focuses on impossibly rare private press recordings 1968-1995

The guy who taught Bob Dylan how to fingerpick. A sitar gifted by Jimi Hendrix. Among other obscure tales …

LISTEN / POST Gary Salzman “The Secret Forces of Nature” (1968)

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Tompkins Square label presents the 8th volume of Imaginational Anthem, the acclaimed series focusing on acoustic guitar, particularly in the American Primitive vein.

Since 2005, the series has revived interest in old masters of the genre while also giving many folks their very first taste of artists like William Tyler, Steve Gunn, Chris Forsyth or Daniel Bachman.

Volume 8, compiled by hardcore record collectors Michael Klausman (former used LP buyer for NYC’s recently shuttered Other Music) and Brooks Rice, features some of the best and most obscure private press guitar records virtually no one has heard.

Amidst the obscure entries are bits of rock-star lore; Joe Bethancourt was supposedly given a sitar by an admiring Jimi Hendrix, and Perry Lederman was reportedly responsible for teaching Bob Dylan how to fingerpick. But the true joy of this collection is derived from discovering incredible acoustic guitar performances completely lost to time. Until now.

BINGE-LISTEN TO ALL 8 volumes of Imaginational Anthem on Spotify

2LP Gatefold set (Ltd) : TSQ 5289
CD : TSQ 5272

BRIGID MAE POWER

Monday, June 13th, 2016

Irish singer/songwriter Brigid Mae Power has shared stages with Lee Ranaldo, Alasdair Roberts, Richard Dawson, and Ryley Walker. Born in London to a big Irish family, she moved to Ireland (Galway) when she was twelve years old. In addition to the guitar, she plays accordion, baritone ukulele, piano and harmonium; creating hauntingly dreamlike soundscapes.

9/10 – “Masterpiece” – UNCUT
4 stars MOJO
4 Stars Guardian
4 stars Irish Times

Pitchfork

BUY LP / CD

Limited edition (500) Red Vinyl

TOUR DATES :

26 Sept Okayama – Inryoji temple
28 Sept Tokyo – Lutheran Ichigaya Hall
29 Sept Tokyo – Fluss
19 October London, UK – St. Pancras Old Church
20 October Briston, UK – Cube Cinema
21 October Oxford, UK – St Barnabas Church
22 October Manchester, UK – St Michaels Church
12 November Münster, DE – Petrikirche
17 December Yorkshire, UK – The Band Room